The biggest problem with 3D, though, is the “convergence/focus” issue. A couple of the other issues – darkness and “smallness” – are at least theoretically solvable. But the deeper problem is that the audience must focus their eyes at the plane of the screen – say it is 80 feet away. This is constant no matter what.

The beauty of physical, human motion is that just about anything kinetic, any gesture can work. If you were left only with motion in your toes, you could play a live set. And whereas these gestures were once tied to specific acoustic instrumental effects, in the digital realm, they can be anything.

A short video on ‘Theo Parrish’s thoughts on Digital DJing. He believes that it is a step backward, do you?

Just pure genius!

Have a sneak peak into the Plastikman Live set!